Plots, plans, and party crashers
Most writers plot out their books to some degree. Some go with a loose sketch, others know exactly what happens from A to Z. I'm glad I'm not the former, I envy the later -- I fall somewhere in the middle.
But sometimes you have to toss it all out the window.
Say you're happily writing along, everything going according to plan. Character A is behaving perfectly. Then Character B -- or even a character you've never met before -- suddenly enters the scene. Everything changes. Dang it! So much for reaching the daily page count, right?
Wrong. It's become my experience that this is a very good thing. It means that your story is taking on even more of a life of its own. It means that your muse is in residence, and she's just vetoed your plan, staged an intervention, whatever you want to call it, to keep you from doing something stupid that you'll regret later.
Whenever this happens to me, I've learned to run, don't walk, after the interfering Character B. That character knows what they're doing and why they're there even if you don't. The key here is to go with the flow. Some of my most fun characters have come into existence by crashing my plot party. In a book, party crashers are always welcome. For me, they're either being pulled into a dark alley, or pushed out of a bar. I've learned to pay attention to these people. They're worth watching -- and listening to.
But sometimes you have to toss it all out the window.
Say you're happily writing along, everything going according to plan. Character A is behaving perfectly. Then Character B -- or even a character you've never met before -- suddenly enters the scene. Everything changes. Dang it! So much for reaching the daily page count, right?
Wrong. It's become my experience that this is a very good thing. It means that your story is taking on even more of a life of its own. It means that your muse is in residence, and she's just vetoed your plan, staged an intervention, whatever you want to call it, to keep you from doing something stupid that you'll regret later.
Whenever this happens to me, I've learned to run, don't walk, after the interfering Character B. That character knows what they're doing and why they're there even if you don't. The key here is to go with the flow. Some of my most fun characters have come into existence by crashing my plot party. In a book, party crashers are always welcome. For me, they're either being pulled into a dark alley, or pushed out of a bar. I've learned to pay attention to these people. They're worth watching -- and listening to.
6 Comments:
Oh, I love this post. In my current WIP, which is about a magic-using spy, my character fell in love with the wrong guy. He was even supposed to be a creep, but he certainly didn't work out that way. Now, I'm having to go back and retrofit. But I think it is much funner than the original concept.
I've found that the best characters are the ones who refuse to do as told. ; )
Oh, yes. Does this mean I have to let my muse, the Old Hag, out of her closet? That insane cackling really gets on my nerves, yanno.
Kimber, you inspired me! I have named my muse as well! His name is Drill Sergeant Muse and he is a technical sergeant in the Air Force. I came up with him in honor of the first drill sergeant who ever chewed me out on my first day of AF basic training. An unforgettable experience.
I'll have to scare up a picture of him, now.
Love the plot crashers - it really does help move the story along and it helps creativity to blossom as well. I'm in that same kind of pickly with a story I'm working on right now as a matter fact.
*grin* Old Hag and Drill Seargeant? Ok, now I don't feel so bad. I call mine Harpies, because Aglaia, Euphrosyne, and Thalia they are not.
Yes, I'm working on an urban fantasy where one of the hired muscle for the bad guy turned into the heroine's love interest. It was miles away from what I had planned, and it's creating wonderful plot complications and dynamic... (RHPS pause) tension. I love it, even if it does cause me to tear my hair.
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