Lisa's Blog

Monday, February 18, 2008

To read or not to read while writing

We've all heard it: Virtually any author interviewed in any magazine, newspaper, or blog says that the two most important things aspiring authors can do is write every day and read voraciously.

The writing part takes discipline and then some, but the reading comes naturally, eagerly even. If you're a writer, it goes without saying that you love to read, probably from a young age. But when you're writing your own original work for publication, do you read while writing?

In recent years, there's been quite a few highly publicized cases of big name and/or big dollar authors plagarizing the works of others. Each case that appears in the news asks the same question: Did they do it accidently or on purpose? Writers are sponges, we soak up the world around us, ponder it, and some of that comes out in our prose. And while we read, we absorb.

The following is from an interview with John Grisham last week on cnn.com: But he doesn't read a lot when he's writing. "We all want to read good books, and so you read a good book by a really good writer and I catch myself inadvertently imitating him or her. And so you think, 'Well, I wouldn't use that word, I wouldn't do that sentence that way.' I read a lot when I'm not writing."

By necessity, that's what I do -- I read a lot when I'm not writing (which is a couple of precious weeks a year). During that time, I'm voracious. The simple truth is that I don't have time to read while I'm in the trenches of writing a book. My spare time is nearly zero. But at the same time, as a writer I feel like I'm starving myself if I'm writing and not reading; my creative well isn't being replenished. So what do I do? Grab those few precious minutes a day and read.

However, I'm vigiliant that while reading I'm feeding my creativity, not soaking up the words of others to put on my own page. But if your characters, plot, and voice are strong enough and embeded deeply enough, you won't be influenced by the work of others, but instead you will be inspired and refreshed. That's how it is with me. That's why I try to read while I'm writing, to keep my creative well of inspiration from running dry.

What are your thoughts? To read or not to read?

Coming up this week: "The final chapters of The Trouble With Demons -- Lisa plays connect the dots," and "Unlikely muse -- Andy the Greyhound."

Have yourselves a great Monday!
Lisa

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9 Comments:

Anonymous Anonymous said...

I have a slightly different perspective to put on this. When writing a song or the occasional poem (i.e. song that has too many verses/words/beats in the line to fit to music), if I have someone else's melody or lyrics (or the entire song) stuck in my head, that's it. It's the death of my creativity. It's even worse when it's a song I recently heard and immediately went "oh my goodness I wish I had written that!!!" Then again, it's really hard to just quit listening to music (or quit hearing it if you go out in public), so I try to develop a filter--remember cool chords and good emotions, forget everything else.

I liked what you said about being able to absorb stuff but not have it take over your plot. That makes a lot of sense. And it would be horrible not to be able to read books.

February 18, 2008 at 8:40 AM  
Blogger Lisa Shearin said...

"Develop a filter" -- what a wonderful way to put it. ; )

February 18, 2008 at 10:21 AM  
Blogger L. A. Green said...

Great article, Lisa, and some excellent points to ponder for writers. Hmm...to read, or not to read...

February 18, 2008 at 11:02 AM  
Blogger Tia Nevitt said...

My writing time is pretty much limited to the two hours after my daughter goes to bed, and several snatched hours on the weekend. I can actually get a lot done with this schedule. I wrote a 115,000 word novel in 11 months. Usually--unless the book is fabulous--I won't let a book I'm reading encroach on that time.

The rest of the time, I pick up a book to read for 10 or 20 minutes at a time. My daughter is free to interrupt me. It's our little compromise. This is also why it takes me so long to read a novel.

Many years ago, I was influenced by the novels I happened to be reading. I probably still am, but I don't think it affects my voice like it used to.

So I read every day, and I write every day. This doesn't leave much time left over, so I hardly ever watch TV. I do practice my music for about 20 minutes 2 or 3 times a week. It doesn't leave much time for me to become a virtuoso, but I'm aiming for excellence in writing, not music. I made that choice back in my 20s.

February 18, 2008 at 1:47 PM  
Blogger Lisa Shearin said...

Tia, Yeah I read in 10-20 minute snippets, too. And the book has to knock my socks off for me to read it. I simply don't have the time for anything else. I very rarely watch TV, perhaps a few minutes when I get in bed, but generally that's a reading time. Though I try to limit my bedtime reading to the Bible. (I just finished Acts.)

And when I was first learning my craft (actually I'm still learning my craft, and I hope I never stop learning), I was influenced by books and authors that I admired. I read the types of books that I wanted to write, so naturally that influence is there. It shaped what eventually become my voice. Fantasy, mystery, detective, thriller, romance -- it all came together to form what I write now.

February 18, 2008 at 2:34 PM  
Blogger Kimber Li said...

I'm committed to reading because of my book review blog and that's fine most of the time. It's only during the Final Polish of the novel that I can't. Thankfully, I can speed-read, so it's not a big issue.

Unless I'm reading a novel which is too great to speed-read. Know any like that?

February 18, 2008 at 6:46 PM  
Blogger Lisa Shearin said...

Hmmmm, let me think. I think I can come up with one or two books that in my most humble opinion are too delicious to speed read through. ; )

February 18, 2008 at 6:58 PM  
Blogger Spartezda said...

I have to be careful if I'm reading something I really love, because it can influence my sentence-level writing. My plots and characters stay themselves, but if I've been reading, say, a lot of Harry Dresden, I might start using shorter sentences and a snarkier narrative tone. For Patricia McKillip, I watch out for crazy-long sentences and guerrilla punctuation.

If I read a great deal in a short time, I have another problem--my creative well runneth over. New story-ideas bloom in my mind, and I want to work on them all (homicidal unicorns! Space-faring tiger demons! American Revolution with muskets and magic!). So I have to really crack the whip to stay on my WIP. :) Ah, well. Better than the creative well ever running dry, though.

February 18, 2008 at 7:02 PM  
Blogger Lisa Shearin said...

Ah, my creative well running over -- I'm looking forward to having that problem again. First, I have to dispatch the demon hordes. And once TTWD is off to NY, it's reading time for Lisa. ; ) There's three that I can't wait to get my hands on: Small Favor by Jim Butcher, Magic Burns by Ilona Andrews, and Madhouse by Rob Thurman. Great stuff!! I've got a Barnes & Noble gift card and an urge to spend. ; )

February 18, 2008 at 7:36 PM  

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