Dialogue tags and facial expressions
I'll be finishing Chapter 13 of Bewitched & Betrayed tonight. I'm giving myself no longer than four days per chapter. That'll put me finishing the first draft around the first of February rather than the end. I always like to give myself as much time as possible for that second (and final) pass before I turn the book in to my editor.
Dialogue tags (other than "he said/she said"), facial expressions, actions during dialogue -- I can see them in my head while I'm writing, but I usually wait until the final pass to put them in. Why? Because getting that description precisely how I want it takes time, time that I can't spare during the first draft. For me, the first draft is for getting the story down. Those details come later. So what do I do for placeholders? Simple. If I visualize a character saying something with a smile or smirk, I simply put that word in parenthesis and quickly move on. If I have a big chunk of dialogue from a character and need to break it up with some movement or action, but don't know what I want them to do yet, I put (action) right where I think it should go in the dialogue and move on.
These things are the spice I add at the end, it's what brings the dialogue to life for me. But while I'm on first draft, I just stick in a placeholder and keep writing.
Some of what's coming up:
Lisa
Dialogue tags (other than "he said/she said"), facial expressions, actions during dialogue -- I can see them in my head while I'm writing, but I usually wait until the final pass to put them in. Why? Because getting that description precisely how I want it takes time, time that I can't spare during the first draft. For me, the first draft is for getting the story down. Those details come later. So what do I do for placeholders? Simple. If I visualize a character saying something with a smile or smirk, I simply put that word in parenthesis and quickly move on. If I have a big chunk of dialogue from a character and need to break it up with some movement or action, but don't know what I want them to do yet, I put (action) right where I think it should go in the dialogue and move on.
These things are the spice I add at the end, it's what brings the dialogue to life for me. But while I'm on first draft, I just stick in a placeholder and keep writing.
Some of what's coming up:
- Let every scene advance the plot
- Never stop learning
- Why downtime is good time
Lisa
9 Comments:
Thanks for that suggestion! Trying to describe people's expressions and mannerisms while talking always slows me down on the first draft. Just leaving the placeholders for the second draft is a brilliant idea!
Glad to share! It works great for me.
I've been doing this in my latest draft because it's easier for me to get down a really rough draft at first. I like to call it "layering" in the details on a second pass.
Great suggestion! I borrowed my method from Inky. If I know for sure a word is wrong (or even if I forget a name....it happens) I put it like this WORD/NAME. Capitals means I can't miss it on the edit.
Yunaleska - I do something similar only I put, no joke, BLAH.
I haven't tried that method, but I think I'll give it a try on the next I write from scratch.
Thanks for explaining your first draft shorthand. :)
JenWriter, "layering" is exactly what I call it, too. ; )
Yunaleska, I even go so far as to type in a blank line to leave space for a name I haven't come up with yet. I do those on the second draft as well.
Hi Laurie! You're welcome!
Hi Lisa! I just got the wonderful postcard and bookmark today! Thak you so much! =D Ha! - I was bouncing up and down.
And about the wonderful hilarious snippet from yesterday - I was wondering if Raine was a virgin. I might have missed something in the books, but I wasn't sure.
Thanks! :)
You're most welcome! And regarding Raine's "status" -- let's just say she would be "safe" from any demon. Unlike Talon, she wouldn't be "demon repellant" but she's definitely "safe." ; )
Post a Comment
Subscribe to Post Comments [Atom]
<< Home